Red Raven camera test with Anais

March 6, 2017 5:41 am  /  Uncategorized


Red Raven DSMC2 Camera
Xeen 50mm t1.5
4.5k ws
Shot @120fps and put into a 23.976fps timeline
Edited in Premiere Pro CC
Colored in Davinci Resolve
Music by Sophie Jamieson sophiejamieson.co.uk/

Pink Hands

January 20, 2017 12:17 am  /  Cinematography

Shot on Sony a6300 / Canon 5d Markiii
using Sigma 50mm 1.4 / XEEN 50mm 1.5
Atomos Ninja Flame ProRes 8bit
Rode NTG2 + Zoom H4n
Color profile for sony Slog3 / Technicolor Cinestyle on canon
Edited in Adobe Premiere / Adobe Audition and Color Graded in Davinci Resolve
LUT Heulandite from Lutify – Download free here lutify.me/free-luts/ if interested
Sound Artist: P C III – Exit Exit freemusicarchive.org/music/P_C_III/Exit_Exit/

Shot on the Sony a6300 in slog3 (PP8)
4k 24fps 100m down scaled to 1080
slow motion shots are 1080 120fps 100m
Color corrected and graded in resolve using the cameras output mp4 file. I see a difference in image quality shooting between the 4k and 1080p 120fps. The 1080 120p seems to have more digital noise (color pixelates) and can be a bit tough to correct in the grading process, at least for me anyway.
I used a 4k grain scan to hide the noise a bit. i did’nt use any bounce to soften the shadows which i regret on some of the shots.

Osiris m31 lut
vision-color.com/

Sony E 16-70mm f/4 Zeiss Vario-Tessar

Model: Joan Urchin ( instagram.com/joanurchin )

Music: “Will I Ever See Another Sunrise?” by Kai Engel (kai-engel.com/)

Filmed on a Sony a6300
Footage was recorded 2.0+ exposure @4k 24fps down scaled to 1080p
I used a 16-70mm 4.0 zeiss with Gobe ND filter for exterior and a 35mm 1.8 sony for interior
1/50 800 ISO – f1.8 interior f8 exterior
Shot in slog3 pp8 and used a VisionColor Osiris LUT with adjustment in Adobe Premiere CC
A few clips i used a Dji Ronin-m
I noticed when shooting gradients that color banding becomes very apparent if over 2+ stops, so i may start shooting at a little over 1+ exposure. Also, when I was shooting a timelapse using a intervalometer app outside on a tripod during a sunny afternoon the camera shut off within 10 minutes due to over heating. i fixed the issue by using a light bounce to create shade over the camera.

Song Artist: “Cosmic Tingles” by Lee Rosevere (happypuppyrecords.ca)

Sony a6300
1080p 120fps
ISO 3200 1/250 @ f4 w/Gobe ND Filter
Slog3 S-Gamut3.Cine
Graded with Speedgrade CC
Slog3 Camera Patch
Kodak 5218 Kodak 2395 LUT + Primary Adjustment + RGBCurves
Final Lumetri color adjustments in Adobe Premiere CC

Sound Artist: “Ckoch” by InSpectr (soundcloud.com/inspectr)


Location: ahsi hair studio – Newport Beach, California 949-675-2474
Hairstylist: Kim Bettencourt
Client: Joan Urchin
Cinematographer: Joey Bettencourt
Sound Artist: “Asmio” by MyOwnCreation (freemusicarchive.org/music/MyOwnCreation/Wordless/06_-_MyOwnCreation_-_Asmio)

The Man Who Sold The World

March 13, 2015 4:55 pm  /  Cinematography

Cinematography: Joey Bettencourt / joeybettencourt.com
Photography: Steven Perlin / stevenperlin.com
Hairstylist: Kim Bettencourt / Marcus Waite
Model/Voice: Landon Baggaley – Q Management
Lyrics: David Bowie – The Man Who Sold The World
Piano: “Prelude – Bells in Heavy Clouds” by Kai Engel (kai-engel.com/)

VideoTape

March 13, 2015 4:53 pm  /  Cinematography

“Videotape” is track #12 on the album In Rainbows. It was written by Thom Yorke, Thomas Edward/greenwood, Jonathan Richard Guy/greenwood, Colin Charles/o’brien, Edward John/selway, Philip James.

Cinematography/Sound: Joey Bettencourt
Reciter: Kim Bettencourt

Emily

March 13, 2015 4:52 pm  /  Cinematography

Videography and Sound Recording by Joey Bettencourt – joeybettencourt.com
Hairstyling by Marcus Waite & Steven Perlin
Photography by Steven Perlin – stevenperlin.com
Model Emily Minter

Thank you for watching. ahsi.us

El Dorado Park

March 13, 2015 4:46 pm  /  Cinematography

Sound Artist: “Utopische Angelegenheiten – vorher” by deef (deef.highcut.org/)